Forty-two rooms. Four configurations. No two alike.
Every room is in the original 1924 building, every window opens, every bed is dressed in raw linen. The four configurations differ in scale and in what's outside your window.
The smallest room we make, and the one we'd book ourselves.
Compact and considered. The Studio is what happens when you take the things that matter — a window that opens, a bed dressed in raw linen, a writing desk that catches the morning — and remove everything else.
Fourteen-foot ceilings, factory windows, time to spread out.
The Lofts occupy the building's original second and third floors — the part of the warehouse where the looms used to run. Fourteen-foot ceilings, original timber columns we left exposed, factory windows that swing open all the way.
A separate sitting room and a wood stove for the cold months.
Four Suites occupy the corners of the fourth and fifth floors. Each has a separate sitting room, a small wood-burning stove for the cold months (we'll stack the wood), and a corner of operable windows that opens to the West Hills at sunset.
The seventh floor, in full. One Penthouse, twelve hundred square feet.
There is one Penthouse and one set of keys. The seventh floor in full, plus a private terrace that wraps the south side of the building. A full kitchen designed by Chef Kerr from The Linden downstairs, with the equipment to actually cook.
Ready when you are.
Forty-two rooms. Pick the one with the window you like. Check-in from 3pm.